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・ Madonna House Apostolate
・ Madonna in Glory with Saints
・ Madonna in Glory with Seraphim (Botticelli)
・ Madonna in the Church
・ Madonna Inn
・ Madonna Litta
・ Madonna Mia
・ Madonna of Avenue A
・ Madonna of Bruges
・ Madonna of Chancellor Rolin
・ Madonna of Foligno
・ Madonna of humility
・ Madonna of Humility (Fra Angelico)
・ Madonna of Humility (Gentile da Fabriano)
・ Madonna of Laroque
Madonna of Loreto (Raphael)
・ Madonna of Palazzo Medici-Riccardi
・ Madonna of St. Jerome (Correggio)
・ Madonna of the Animals
・ Madonna of the Basket (Correggio)
・ Madonna of the Basket (Rubens)
・ Madonna of the Book
・ Madonna of the Candelabra
・ Madonna of the Carnation
・ Madonna of the Desert
・ Madonna of the Dry Tree
・ Madonna of the Harpies
・ Madonna of the Magnificat
・ Madonna of the Pinks
・ Madonna of the Pomegranate


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Madonna of Loreto (Raphael) : ウィキペディア英語版
Madonna of Loreto (Raphael)

The ''Madonna of Loreto'' is a painting finished around 1508-1509 by the Italian High Renaissance painter Raphael. It is housed in the Musée Condé of Chantilly, France.
For centuries the painting kept company with the Portrait of Pope Julius II, first at the Santa Maria del Popolo, then in private collections, and for a time their location was unknown. Their ownership, or provenance, has been difficult to unravel because of the number of copies of both paintings, the unclear ownership chain, misinformation and delay of publication of vital information.
For instance, this painting received its name from a copy at the Basilica della Santa Casa in Loreto which was at one time thought to be the original. Now is it certain that the painting at Loreto was a copy - and therefore the painting name is a misnomer.
Even so, the well-copied painting has been a beloved and critically acclaimed painting for centuries.
==Description==
The painting is tender and intimate. The Child, just awakened, plays a game with the Madonna's veil,〔 with a melancholy Saint Joseph looking on from the shadows.
The use of veil in Renaissance paintings, from the ''Meditations on the Life of Christ'', symbolizes the manner in which the Madonna wrapped the Child in the veil from her head at the Nativity and, prophetically, again at the Crucifixion.
Saint Joseph's melancholy nature in this picture may signal his proclivity for prophecy and the coming events for the Child.〔 Saint Joseph seemed to be an after-thought, x-rays of the painting show that Saint Joseph was painted over〔〔 a window previously over the Madonna's shoulder. Further, the change in the position of the Child's right foot was revealed via x-ray. These changes align with Raphael's preliminary drawings for the painting.〔
The Madonna's dress, frame and angle of her head are reminiscent of ''Justice'' in the Stanza della Segnatura〔〔 which was painted about the same time as this painting. It is also reminiscent of the ''Madonna of the Blue Diadem''.〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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